Its publisher said it now has more than 1.3 million copies in print across formats. Martin’s Griffin, with an initial print run of 15,000 copies. A love story about the Prince of Wales and the American president’s son, it was published in 2019 by St. One book that is often cited by booksellers and publishing executives as a turning point for the genre is “ Red, White & Royal Blue,” by Casey McQuiston. The book was sold widely, not only in bookstores but also in pharmacies, grocery stores and Walmart. “There’s not a lot of stock, believe it or not, for lesbian regency romance,” said Leah Hultenschmidt, the book’s editor.įorever hired two models who were a couple in real life so they could nuzzle for the camera without violating Covid safety protocols. Photographs for the cover were taken in New York City in December 2020, a difficult time to take pictures of models cuddling, but executives at Forever, the book’s publisher, felt they had to find a way. The two people wrapped in each other’s arms are women. The cover of another, “The Perks of Loving a Wallflower,” looks very much like a typical historical romance novel - period outfits, elaborate hairstyles - until it doesn’t.
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“People want to see themselves,” said Laynie Rose Rizer, the assistant store manager at East City Bookshop in Washington, D.C. characters at its center, and the main couple (or thruple!) will have a happy ending. romance novel, in fact, promises two things: It will have L.G.B.T.Q. Gay characters were once confined to niche markets, or to peripheral roles and tragic endings in the mainstream - a tendency that spawned the sardonic catchphrase “bury your gays.” No longer. In many ways, this echoes a broader cultural shift.
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They are prominently displayed at independent bookstores and on the shelves at Walmart, and advertised on New York City subway platforms.Īnd when Harper’s book, “Payback’s a Witch,” was published last fall by Berkley, an imprint of Penguin Random House, it became a best seller. Now, they are coming from the biggest publishers in the industry.
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romance novels have been around for decades, but they have been a quiet presence, almost entirely self-published or put out by small niche presses, and often shelved separately from other romances in bookstores. “People really wanted these queer witches.” “It was completely surreal to me,” Harper said. Stunned, really: The book was a romance about two women. įor years, Lana Popovic Harper wrote novels for a pittance she described as “jars of pennies.” So when her new project drew bids from seven publishers, she was thrilled.
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